Post by rabia373 on Mar 11, 2024 4:55:57 GMT
Home Lenora de Barros’s performative gesture on display Lenora de Barros's performative gesture on display April , Published in:Artes On Saturday the opening of will take place, with a performance by the visual artist. On Saturday the opening of ISSOÉOSSODISSO takes place , with a performance by the visual artist Next Saturday, April th, Paço das Artes opens, at Oficina Cultural Oswald de Andrade,, by visual artist and poet Lenora de Barros. Curated by Priscila Arantes, artistic director of the institution, the exhibition features more than works, including a never-before-seen video. According to the curator, it is like a metaphor for the artist's creative process, where it is possible to see how works always unfold into others: a written text becomes a video, a performance unfolds into a video performance. This is also the case with the performance Pregação , which the artist presents at the opening, a reinterpretation of the works Calaboca and Silêncio.
Present in the exhibition. Língua Vertebral (), exhibited at the th São Paulo International Biennial | Photo: Marcos Ribeiro “Língua Vertebral” (), exhibited at the th São Paulo International Biennial | Photo: Marcos Ribeiro The poem that gives the exhibition its title was created in for a performance that the artist performed with Arnaldo Ant Whatsapp Number List unes during a congress of the Brazilian Society of Psychoanalysis (“O Desire is the Beginning of the Body/O Corpo não Mente”), and which unfolded in a visual poem shown at an exhibition in Rio de Janeiro, in Based on the curatorial approach – the performative bias of her work – the artist realized that her work works as “this is the bone of that”. For the curator, Lenora de Barros’ work is an “eternal work in progress”. Graduated in Linguistics at USP, the artist's first experiences, in the s, came from words and photoperformance, under the influence of concrete poetry. According to Lenora, her work has always sought a poetic.
Approach that encompasses the verbal, the sonorous, the oral and the visual. The exhibition also recalls the artist's reflection on the concept of anthropophagy, formulated by Oswald de Andrade at the th São Paulo International Biennial, in , also known as the Anthropophagy Biennial. At the biennial, Lenora de Barros, alongside Arnaldo Antunes and Walter Silveira, presented the installation A Multimillionaire Contribution of All Errors , which featured photographic plots, including Língua Vertebral and No País da Língua Grande Dai Carne a Quem Quer Carne , in which the artist appears chewing her own tongue – a work transformed into a video performance in The image of the tongue appears for the first time in Lenora's work in the famous Poema , a photoperformance from , on display at the exhibition, which also features the first video performance of her career, Homage to George Segal , directed by Walter Silveira, visual poem from , which ten years later was transformed into a video performance. Frame from the video Frame from the video The exhibition also features a set of works created from the work Procu.
Present in the exhibition. Língua Vertebral (), exhibited at the th São Paulo International Biennial | Photo: Marcos Ribeiro “Língua Vertebral” (), exhibited at the th São Paulo International Biennial | Photo: Marcos Ribeiro The poem that gives the exhibition its title was created in for a performance that the artist performed with Arnaldo Ant Whatsapp Number List unes during a congress of the Brazilian Society of Psychoanalysis (“O Desire is the Beginning of the Body/O Corpo não Mente”), and which unfolded in a visual poem shown at an exhibition in Rio de Janeiro, in Based on the curatorial approach – the performative bias of her work – the artist realized that her work works as “this is the bone of that”. For the curator, Lenora de Barros’ work is an “eternal work in progress”. Graduated in Linguistics at USP, the artist's first experiences, in the s, came from words and photoperformance, under the influence of concrete poetry. According to Lenora, her work has always sought a poetic.
Approach that encompasses the verbal, the sonorous, the oral and the visual. The exhibition also recalls the artist's reflection on the concept of anthropophagy, formulated by Oswald de Andrade at the th São Paulo International Biennial, in , also known as the Anthropophagy Biennial. At the biennial, Lenora de Barros, alongside Arnaldo Antunes and Walter Silveira, presented the installation A Multimillionaire Contribution of All Errors , which featured photographic plots, including Língua Vertebral and No País da Língua Grande Dai Carne a Quem Quer Carne , in which the artist appears chewing her own tongue – a work transformed into a video performance in The image of the tongue appears for the first time in Lenora's work in the famous Poema , a photoperformance from , on display at the exhibition, which also features the first video performance of her career, Homage to George Segal , directed by Walter Silveira, visual poem from , which ten years later was transformed into a video performance. Frame from the video Frame from the video The exhibition also features a set of works created from the work Procu.